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A Brief History Of Hip Hop

By Todd S. Braun


Hip Hop music has its roots in the black funk and soul music of the 70's. Rap originated from the R&B tradition of which is complemented by the sampling and scratching which began in black ghettos of the United States. Hip Hop refers to not only a musical genre, but also the youth culture characterized by elements of rap (MCing), DJing, breakdancing, graffiti writing and beatboxing.



Two years earlier, a young MC named Schooly D launched his career. Although it was rather unspectacular, he earned a reputation with his innovative lyrics. At the same time, Gangsta Rap was accused of glorifying violence, rather than constructively tackling it. The group defended themselves mostly with the argument that they only simulated the conditions in ghettos.

With the beginning of the 1990s, the rarely used music genre term Hip Hop increasingly replaced the previously used term rap. With the advent of NWA and Public Enemy, the era of gangsta rap began in earnest. Other so-called West Coast artists including Dr. Dre, Snoop Doggy Dogg and 2Pac also emerged, and for the first time New York (the East Coast) was no longer the center of Hip Hop.

Also worth mentioning is British Hip Hop, which produced its own brand of Britcore, as well as Brazilian Hip Hop, it introduced its own style, influenced by the Bass Music Rio Funk. In Africa, a diverse scene developed in the meantime, often in its search for American role models but also produces independent varieties of African Hip Hop. Hip Hop music can indeed take many forms: either limited to beats of DJs, in which case the term rap is not appropriate. The term rap, let alone Hip Hop, cannot be applied to slam.

A possible origin of the term Hip Hop could be from a member of Grandmaster Flash and the Furious Five, Cowboy, who allegedly used for the first time the term Hip Hop while teasing a friend who had just joined the U. S. Army. In fact, he used a onomatopoeia consisting the words "hip / hop / hip / hop" in a jerky way to mimic the rhythmic cadence of military marches performed by soldiers. But, these are only legends and stories.

The genre fits both continuity and rupture with black American music. It continuous manifestation as a distant descendant of complaints about the living conditions of African Americans in the Bronx, the tradition of improvisation appeared with ragtime and jazz, and musical dialogues (call and response).

In the fall of 1981, the single "Der Kommissar" by the Austrian Falco created a sensation in the pop scene. It reached No. 1 in almost all of Europe. With his development, Falco was sometimes referred to as the first white rapper. In particular, the label Sugar Hill, which had already released Rapper's Delight, quickly moved to secure Grandmaster Flash under contract, who worked with the rap group The Furious Five since 1977.

In the same year as The Message and the second single of another DJ veterans of Block Party era, Planet Rock by Afrika Bambaataa appeared. The international hit "Trans Europe Express" was first produced with synthesizers. Fast drum machine beats and machine synthesizer riffs and arpeggios by Bambaataa, on the other hand, seemed influential for the genre of electro funk that gradually broke away from Hip Hop producers and experienced a revival in the late 1990s at the Technopark area.




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